The mafia’s Paul Vitti is back in prison and will need some serious counseling when he gets out. Naturally, he returns to his analyst Dr. Ben Sobel for help and finds that Sobel needs some serious help himself as he has inherited the family practice, as well as an excess stock of stress.

The photographer Leon lives with his girlfriend and waitress Maya waiting for a chance to get in the photo business. When Maya contacts their friend Jurgis, he schedules a meeting for Leon with the successful owner of arts gallery Susan Hoff; she analyzes Leon’s work and asks him to improve the quality of his photos. During the night, the upset Leon decides to wander on the streets taking pictures with his camera, and he follows three punks down to the subway station; when the gang attacks a young woman, Leon defends her and the guys move on. On the next morning, Leon discovers that the woman is missing. He goes to the police station, but Detective Lynn Hadley does not give much attention to him and discredits his statement. Leon becomes obsessed to find what happened with the stranger and he watches the subway station. When he sees the elegant butcher Mahogany in the train, Leon believes he might be a murderer and stalks him everywhere, in the beginning of his journey to the darkness.

His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi’s personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia’s unique perspective, Messi recreates the player’s childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.

A probe into what modern neuroscience can tell us about consciousness and analyzes the implications of the cultural lens through which we tend to perceive it, revealing logical answers to some of humanity’s oldest existential questions.

Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.

This two-hour premiere special analyzes with new details and revelations the case that led to Simpson’s conviction for armed robbery. Included: the scene of the crime in room 1203 at the Palace Station Casino and the chilling details that led to O.J. Simpson’s verdict.

When a women’s husband is brutally murdered and casterated, she enlists the help of a paranormal expert to analyze strange phone calls from his phone and her investigations lead her to a group of swingers that expose her husband’s double life.

As Chicago gears up for its annual Thanksgiving Day parade, Emily Jones, an eager parade coordinator is shocked when Henry Williams, a wealthy new development consultant, is brought in to analyze the parade’s finances.

Starting with a scientific argument in regards to the Sasquatches and Bigfoot issue, this film covers the chronological history of the creature from ancient to present day. Researchers and scientists cover the hardest questions in regards to proving this creature is real. Looking at photographic, video, and scientific fact based trace evidence from credible encounters with these creatures. What was it related to in the fossil record? We analyze the fossil evidence compared to eye witness accounts of the creature which may still exist today. Bill Miller and Thomas Steenburg uncover the harsh truths about why this creature won’t be taken seriously by the mainstream scientific community and provide evidence that we are dealing with an intelligent animal. Stories and dramatic explanations about some of the more credible encounters follow. The question of whether these creatures exist should be well proven by the time the film has concluded.

An elite team of FBI profilers analyze the country’s most twisted criminal minds, anticipating their next moves before they strike again. The Behavioral Analysis Unit’s most experienced agent is David Rossi, a founding member of the BAU who returns to help the team solve new cases.